WEBVTT 00:00:01.080 --> 00:00:03.033 Hello and welcome to this Animation Master tutorial. 00:00:03.089 --> 00:00:05.617 In this tutorial, I want to show you how to 00:00:05.681 --> 00:00:09.049 create an image which is more or less looking like 00:00:09.097 --> 00:00:09.881 that one. 00:00:10.033 --> 00:00:14.481 So we have a very bright background or ground color 00:00:14.513 --> 00:00:18.857 here and we have a quite realistic looking object in 00:00:18.881 --> 00:00:23.553 the front here with a quite hard shadow. 00:00:23.609 --> 00:00:26.871 It’s not really a fully hard shadow, but it should 00:00:26.903 --> 00:00:27.535 look like that. 00:00:27.575 --> 00:00:31.463 We have some kind of reflective surface here and I 00:00:31.479 --> 00:00:34.195 think this is looking more or less realistic there. 00:00:34.695 --> 00:00:37.855 Of course this is not a realistic rendering, but it’s 00:00:37.895 --> 00:00:40.647 a very fast rendering and it’s more or less like 00:00:40.671 --> 00:00:42.535 a product shot or something like that. 00:00:42.655 --> 00:00:45.391 And should give you a nice idea what I try 00:00:45.423 --> 00:00:47.591 to achieve in my tutorial here. 00:00:47.783 --> 00:00:51.695 This tutorial is not about, for example, modeling that stuff 00:00:51.735 --> 00:00:52.745 or something like that. 00:00:52.855 --> 00:00:55.773 I will not go deeper into that. 00:00:55.829 --> 00:00:58.765 It’s more or less just a laced object in this 00:00:58.885 --> 00:01:04.265 part and a few laced objects here in there. 00:01:04.765 --> 00:01:11.021 And it’s really nothing very complex or something like that. 00:01:11.133 --> 00:01:15.349 Just a few spheres, two laced objects here and some 00:01:15.397 --> 00:01:17.453 cover rings I put on that. 00:01:17.589 --> 00:01:19.753 There’s nothing special special about that. 00:01:19.929 --> 00:01:24.441 And at the moment this will render more or less 00:01:24.553 --> 00:01:25.185 like this. 00:01:25.265 --> 00:01:31.033 So yeah, the default geography we are using in Animation 00:01:31.089 --> 00:01:32.325 Master typically. 00:01:34.465 --> 00:01:37.125 And what I want to do is I want to 00:01:37.705 --> 00:01:41.085 create more or less such an image like this one 00:01:42.425 --> 00:01:46.525 with more or less these materials and stuff like that. 00:01:46.885 --> 00:01:52.149 And what I’m using in this image is really, for 00:01:52.197 --> 00:02:00.145 example, heavily there’s a global ambience type, global color here. 00:02:00.445 --> 00:02:02.861 So if you put that on, you will see that 00:02:02.893 --> 00:02:08.461 we have a very overlit scene here in this case. 00:02:08.533 --> 00:02:10.945 And it will just look like that. 00:02:13.075 --> 00:02:16.707 What I want to do here is I will decrease 00:02:16.771 --> 00:02:21.868 it to for example 50 or let’s say, I don’t 00:02:21.987 --> 00:02:24.855 know, maybe 66 or something like that. 00:02:25.435 --> 00:02:25.963 Percent. 00:02:26.059 --> 00:02:29.803 So I still see something, but it’s very, very bright 00:02:29.859 --> 00:02:30.815 at the moment. 00:02:31.115 --> 00:02:36.635 And this is because we have already a few lights 00:02:36.675 --> 00:02:37.339 in here. 00:02:37.467 --> 00:02:39.705 What I will do is I will just get rid 00:02:39.745 --> 00:02:42.925 of these light, for example, just delete them. 00:02:43.905 --> 00:02:49.017 You see, we have a little bit less of that, 00:02:49.121 --> 00:02:51.881 but it’s looking quite flat at the moment. 00:02:52.033 --> 00:02:54.365 So let’s see what we can do about that. 00:02:55.505 --> 00:03:00.673 First I would like to take my spotlight, for example, 00:03:00.809 --> 00:03:01.593 this one. 00:03:01.729 --> 00:03:03.585 And what I want to do is I want to 00:03:03.665 --> 00:03:06.247 set it to a sunlight, for example. 00:03:06.391 --> 00:03:09.111 There’s no real reason why I’m using the sunlight. 00:03:09.143 --> 00:03:11.875 You could use different other lights too. 00:03:12.735 --> 00:03:15.663 This is just one of the lights I like because 00:03:15.719 --> 00:03:20.471 it’s very controllable and it’s easy to use in that 00:03:20.503 --> 00:03:21.115 manner. 00:03:22.055 --> 00:03:24.435 Let’s see what we can do here. 00:03:28.135 --> 00:03:29.663 Let’s have a look at the options. 00:03:29.759 --> 00:03:34.141 For example, we want spectacularly light on, because we will 00:03:34.173 --> 00:03:41.105 use spectacularity in this rendering later. 00:03:41.845 --> 00:03:45.385 We want a shadow casting. 00:03:46.005 --> 00:03:49.301 What I want to use is it should not be 00:03:49.333 --> 00:03:50.997 a totally hard shadow. 00:03:51.061 --> 00:03:53.545 So I will increase the ray cast here. 00:03:53.965 --> 00:04:03.003 In other rendering pages, rendering packages, for example, this would 00:04:03.059 --> 00:04:06.731 be called an area light because we are increasing the 00:04:06.763 --> 00:04:07.203 raycast. 00:04:07.259 --> 00:04:08.975 You can increase this even more. 00:04:09.355 --> 00:04:11.499 It will increase your rendering times. 00:04:11.587 --> 00:04:14.603 And because of that you should just have a look 00:04:14.659 --> 00:04:16.683 and see how much you really need. 00:04:16.819 --> 00:04:22.547 And if you need a certain amount of ways here, 00:04:22.611 --> 00:04:23.347 use them. 00:04:23.491 --> 00:04:30.261 But don’t overcompensate or don’t overpronounce that settings because you 00:04:30.293 --> 00:04:35.029 will very fast see that it’s not a good way 00:04:35.077 --> 00:04:36.105 to use this. 00:04:36.685 --> 00:04:37.221 Okay. 00:04:37.293 --> 00:04:40.061 And what I will use in this rendering, of course, 00:04:40.133 --> 00:04:43.405 is additional to the spotlight. 00:04:43.445 --> 00:04:47.509 And the stuff I’m doing here is ambient occlusion. 00:04:47.637 --> 00:04:50.733 And you can use, for example, this ambient occlusion part 00:04:50.789 --> 00:04:51.385 here. 00:04:51.845 --> 00:04:56.465 And the problem with this ambient occlusion here is that 00:04:56.545 --> 00:05:00.805 it will take much longer than for example, the GPR 00:05:03.505 --> 00:05:09.617 approach, which can be accessed by using the screen space 00:05:09.801 --> 00:05:14.485 ambient occlusion available at this position here. 00:05:14.945 --> 00:05:18.265 So what I would put here is I would use 00:05:18.305 --> 00:05:23.757 ambient occlusion for nothing at the moment. 00:05:23.861 --> 00:05:25.725 So just keep that off. 00:05:25.845 --> 00:05:29.533 At least if you are using this, you can of 00:05:29.549 --> 00:05:35.309 course put for example, some kind of information in here. 00:05:35.437 --> 00:05:39.685 Let’s say what could we do maybe 50% or something 00:05:39.725 --> 00:05:45.141 like that, just to see how it would look. 00:05:45.293 --> 00:05:47.733 What you can see here is we don’t have ambient 00:05:47.789 --> 00:05:48.989 occlusion on at the moment. 00:05:49.037 --> 00:05:53.549 So we have to go to the rendering option tab 00:05:53.597 --> 00:05:56.253 here and activate amient occlusion. 00:05:56.429 --> 00:05:58.989 For the test proposals here, I will go with a 00:05:59.037 --> 00:06:02.773 very low number just to be able to see it 00:06:02.829 --> 00:06:03.437 quite fast. 00:06:03.501 --> 00:06:06.865 Because the lower the number, the faster the rendering. 00:06:08.325 --> 00:06:11.237 As you can see, we have ambient occlusion on and 00:06:11.341 --> 00:06:15.905 that is really adding something to the image now. 00:06:18.055 --> 00:06:21.399 But this is not everything we want to do here. 00:06:21.567 --> 00:06:24.635 Let’s see, we have the spot, we have it at. 00:06:25.615 --> 00:06:28.515 It’s casting a shadow somehow. 00:06:29.175 --> 00:06:30.671 Intensity is very, very low. 00:06:30.703 --> 00:06:35.151 I will increase it to 100 and you will now 00:06:35.223 --> 00:06:36.875 say, hey, stop. 00:06:37.175 --> 00:06:41.451 Now you have eminent intensity at 66% and you have 00:06:41.550 --> 00:06:43.475 the spotlight at 100%. 00:06:44.055 --> 00:06:50.863 If you combine that, you will receive more than the 00:06:50.999 --> 00:06:53.519 typical thing you want to achieve here. 00:06:53.567 --> 00:06:55.315 So more than 100%. 00:06:55.975 --> 00:06:59.591 Yes, I will do that in this case because I 00:06:59.623 --> 00:07:06.847 just want to have a Very bright ground here. 00:07:06.951 --> 00:07:08.555 It should be more or less white. 00:07:09.025 --> 00:07:11.305 And as you can see, we will not see much 00:07:11.345 --> 00:07:13.361 of the ambient occlusion at the moment. 00:07:13.553 --> 00:07:17.281 But there are a few other options we can tune 00:07:17.353 --> 00:07:19.657 to get a nicer image. 00:07:19.761 --> 00:07:22.377 For example, we can of course go with an intensity 00:07:22.441 --> 00:07:25.561 level which is smaller in this way. 00:07:25.713 --> 00:07:27.553 But we don’t have to do that. 00:07:27.689 --> 00:07:29.129 There are other possibilities. 00:07:29.217 --> 00:07:32.897 For example, at the moment we have just a very 00:07:32.961 --> 00:07:36.109 white color at our object. 00:07:36.297 --> 00:07:38.705 Let’s create some material there. 00:07:39.205 --> 00:07:41.585 So go to new material. 00:07:42.885 --> 00:07:44.985 Let’s say this will be. 00:07:45.885 --> 00:07:51.685 Yeah, let’s say it’s a chrome bolt of the ball 00:07:51.845 --> 00:07:53.301 Jira here. 00:07:53.453 --> 00:07:55.025 So let’s have a look. 00:07:55.925 --> 00:07:59.093 Chrome more or less is a very reflective surface. 00:07:59.149 --> 00:08:01.851 There’s nothing much more about it. 00:08:02.013 --> 00:08:07.503 Let’s go with a dark color as a base color 00:08:07.679 --> 00:08:12.875 and give it, for example, some kind of spectacular value. 00:08:15.335 --> 00:08:17.391 You just have to play around with that a little 00:08:17.423 --> 00:08:20.871 bit because there are just different options. 00:08:21.023 --> 00:08:26.295 And in some situations you want to put it high, 00:08:26.335 --> 00:08:28.427 in some situations you want to put it low. 00:08:28.591 --> 00:08:31.775 Say we want to start with 100% here. 00:08:32.275 --> 00:08:36.907 We should use a white specular color at this point. 00:08:37.091 --> 00:08:39.811 And of course for chromos, this is the most important 00:08:39.883 --> 00:08:40.379 part. 00:08:40.507 --> 00:08:43.495 We will have a very high reflectivity value. 00:08:44.635 --> 00:08:48.131 Theoretically we could use even 100%. 00:08:48.203 --> 00:08:51.043 I don’t tend to use that because I just think 00:08:51.099 --> 00:08:54.775 that 90%, for example, is just a better compromise. 00:08:55.325 --> 00:08:59.709 And yeah, that’s more or less it. 00:08:59.877 --> 00:09:04.845 But you can have additional information there, or you should 00:09:04.885 --> 00:09:06.385 have additional information. 00:09:07.245 --> 00:09:09.985 Let’s see what we could do. 00:09:10.645 --> 00:09:23.055 Maybe we give it a fall off, for example, 750cm 00:09:23.095 --> 00:09:23.675 here. 00:09:24.695 --> 00:09:28.231 We will come to that, what that means a little 00:09:28.263 --> 00:09:29.395 bit later on. 00:09:29.775 --> 00:09:33.559 Or better to say I can just tell you what 00:09:33.607 --> 00:09:35.983 that means or what that does is more or less 00:09:36.039 --> 00:09:46.383 that you get some kind of fall off concerning the 00:09:46.439 --> 00:09:47.087 reflectivity. 00:09:47.151 --> 00:09:54.165 That means that an object which is more than 750cm 00:09:54.205 --> 00:09:56.625 away will not be reflected. 00:09:57.365 --> 00:10:00.469 But yeah, if I think about it, let’s set that 00:10:00.517 --> 00:10:03.373 to not set at the moment because we are going 00:10:03.429 --> 00:10:05.309 to do that with the chrome balls. 00:10:05.397 --> 00:10:08.613 The chrome balls are not very visible because we have 00:10:08.709 --> 00:10:12.077 the other part here before that. 00:10:12.221 --> 00:10:14.325 But we can do something about that. 00:10:14.365 --> 00:10:16.145 I will do that in a minute. 00:10:16.455 --> 00:10:18.759 Let’s say what we can do here. 00:10:18.927 --> 00:10:21.355 Put that on the chrome spheres. 00:10:23.575 --> 00:10:27.315 That’s also the reason why I’m using a material here 00:10:28.175 --> 00:10:33.715 because I just can easily access and add that to 00:10:34.295 --> 00:10:38.195 different spheres there. 00:10:41.015 --> 00:10:46.127 There, of course, you could create one big group here 00:10:46.151 --> 00:10:47.375 with the spheres in it. 00:10:47.495 --> 00:10:50.727 I just tend to Keep it separated because it’s just 00:10:50.791 --> 00:10:56.475 easier to overview and to use. 00:10:57.575 --> 00:11:00.119 In the end, it’s a little bit more work because 00:11:00.167 --> 00:11:05.095 I have to attach for several times the part here. 00:11:05.135 --> 00:11:06.955 But that’s not really important. 00:11:07.695 --> 00:11:10.399 We cannot see that at the moment because there’s just 00:11:10.447 --> 00:11:13.085 nothing that would reflect that. 00:11:13.245 --> 00:11:18.389 Or better to say there’s just nothing which is shown 00:11:18.437 --> 00:11:21.373 because we have the outer and the inner part around 00:11:21.429 --> 00:11:22.005 that. 00:11:22.165 --> 00:11:27.653 Let’s say we want to get rid of this cover 00:11:27.709 --> 00:11:28.861 ring, for example. 00:11:29.013 --> 00:11:31.549 What I will do here is I will just add 00:11:31.717 --> 00:11:32.425 another. 00:11:35.125 --> 00:11:39.635 My first, better to say bone here. 00:11:41.455 --> 00:11:45.615 And this one is only to control one of the 00:11:45.655 --> 00:11:46.183 coverings. 00:11:46.239 --> 00:11:47.555 Let’s say that one. 00:11:47.855 --> 00:11:48.755 Okay. 00:11:50.135 --> 00:11:53.375 Attach this stuff to it. 00:11:53.535 --> 00:11:54.635 The cps. 00:11:55.615 --> 00:12:01.175 Okay, let’s see if we have the right side of 00:12:01.215 --> 00:12:02.271 my object here. 00:12:02.383 --> 00:12:03.303 So that. 00:12:03.479 --> 00:12:05.395 Yeah, it’s looking quite okay. 00:12:09.255 --> 00:12:14.631 Okay, that’s a modeling part. 00:12:14.743 --> 00:12:19.715 What I want is cell one. 00:12:20.175 --> 00:12:20.679 Okay. 00:12:20.727 --> 00:12:27.007 And if we take that out there, maybe we will 00:12:27.151 --> 00:12:33.575 rotate that, for example, for 90 degrees and we will 00:12:33.615 --> 00:12:41.995 put that on the ground more or less like that. 00:12:42.935 --> 00:12:46.035 So now we can see the balls in there. 00:12:47.055 --> 00:12:51.075 Let’s see if we can already see something nice there. 00:12:51.775 --> 00:12:53.855 It’s not looking too nice at the moment. 00:12:53.895 --> 00:12:57.007 There’s just this reflective surface as you can see. 00:12:57.151 --> 00:13:01.155 And that should be start for that. 00:13:01.575 --> 00:13:03.279 Let’s see what we can do. 00:13:03.407 --> 00:13:07.463 Additional to that, let’s create a new material for our 00:13:07.519 --> 00:13:09.315 outer and inner parts here. 00:13:09.695 --> 00:13:12.075 So create a new one. 00:13:12.615 --> 00:13:13.903 Go to that. 00:13:14.079 --> 00:13:18.703 I will call it metal, for example, whatever you want 00:13:18.719 --> 00:13:19.635 to call it. 00:13:20.095 --> 00:13:23.439 And if you have a look at my image here, 00:13:23.527 --> 00:13:23.701 you. 00:13:23.723 --> 00:13:28.161 You can see that we have this kind of structure 00:13:28.313 --> 00:13:31.113 at the outer here. 00:13:31.289 --> 00:13:32.457 And what that. 00:13:32.561 --> 00:13:34.485 That’s a checker material. 00:13:34.785 --> 00:13:37.297 So let’s see that we can create that. 00:13:37.401 --> 00:13:38.657 Right click on attribute. 00:13:38.721 --> 00:13:40.805 Go to combiner checker. 00:13:41.265 --> 00:13:46.489 And now as I said before, we need to introduce 00:13:46.617 --> 00:13:54.075 quite dark colors here to my object because I am 00:13:54.115 --> 00:13:57.415 really over lightening this scene a little bit. 00:14:00.515 --> 00:14:01.867 Let’s say like that. 00:14:01.971 --> 00:14:04.379 We may have to go back and do more about 00:14:04.427 --> 00:14:04.803 that. 00:14:04.899 --> 00:14:08.347 As you can see, I’m only using the color channel 00:14:08.371 --> 00:14:11.747 of the checker because the other channels should be the 00:14:11.771 --> 00:14:11.979 same. 00:14:12.027 --> 00:14:14.761 And because of that I can create a new attribute. 00:14:14.923 --> 00:14:17.625 For example, like that put. 00:14:17.965 --> 00:14:23.461 Yeah, let’s say, I don’t know, 50%, for example intensity, 00:14:23.589 --> 00:14:26.705 let’s say 100 or something like that. 00:14:29.245 --> 00:14:30.893 Reflectivity value. 00:14:30.989 --> 00:14:33.625 At this point I want to give it one. 00:14:34.565 --> 00:14:38.037 And I think for this object or this group or 00:14:38.061 --> 00:14:42.337 this material, let us say I want to use for 00:14:42.361 --> 00:14:44.005 example the blend value. 00:14:45.145 --> 00:14:50.945 Blend means that this will blend the reflection or the 00:14:50.985 --> 00:14:56.673 mirrored object, the reflected object, and the base color of 00:14:56.689 --> 00:14:58.561 your object with each other. 00:14:58.673 --> 00:14:59.605 That’s important. 00:14:59.985 --> 00:15:02.845 And as I said before, this is a fall off 00:15:03.225 --> 00:15:05.209 use some kind of fall off. 00:15:05.297 --> 00:15:07.993 Because I think it’s faster to render. 00:15:08.049 --> 00:15:10.545 I’m not really sure about that, but I think it’s 00:15:10.585 --> 00:15:16.017 faster to render because the algorithm doesn’t have to take 00:15:16.201 --> 00:15:20.485 in account what is farther away than 75%. 00:15:22.345 --> 00:15:22.745 Okay. 00:15:22.785 --> 00:15:26.049 And now we have to attach that to our image 00:15:26.097 --> 00:15:26.713 here. 00:15:26.889 --> 00:15:30.937 So inner part and the outer part, for example, needs 00:15:31.001 --> 00:15:32.525 these parts. 00:15:32.945 --> 00:15:37.809 And yeah, the checker material is at the moment just 00:15:37.857 --> 00:15:38.865 really a checker material. 00:15:38.905 --> 00:15:41.043 You can only see that if you render that. 00:15:41.209 --> 00:15:44.991 And as you can see, this is a shagged kind 00:15:45.023 --> 00:15:45.735 of material. 00:15:45.815 --> 00:15:49.343 What we want to do here is we want some 00:15:49.399 --> 00:15:51.915 kind of a stripy part here. 00:15:52.295 --> 00:15:54.791 So let’s do that, go back. 00:15:54.983 --> 00:15:57.503 And what we want to do here is to increase 00:15:57.559 --> 00:16:03.919 the size now we have to have a look at 00:16:03.967 --> 00:16:10.809 our object without the rest, just to see which axis 00:16:10.857 --> 00:16:12.045 we have to use. 00:16:12.825 --> 00:16:16.601 What I can see here is that it’s a set 00:16:16.673 --> 00:16:19.525 axis which should be very, very long. 00:16:20.705 --> 00:16:26.153 To get that kind of stripy feeling or optic, we 00:16:26.209 --> 00:16:31.165 need the X value. 00:16:32.355 --> 00:16:35.095 This one can be very long too. 00:16:36.595 --> 00:16:37.059 Okay. 00:16:37.107 --> 00:16:41.811 And I think this one, let’s do it with 2cm 00:16:41.843 --> 00:16:42.459 or something. 00:16:42.587 --> 00:16:44.667 We just have to test that. 00:16:44.811 --> 00:16:46.535 Let’s see what we have here. 00:16:51.435 --> 00:16:54.499 Not exactly what I was looking for, but it’s close 00:16:54.547 --> 00:16:54.875 enough. 00:16:54.955 --> 00:17:00.417 You see here are the wings we are seeing here. 00:17:00.561 --> 00:17:02.405 I don’t think you can see that. 00:17:04.625 --> 00:17:07.365 Let’s say this way. 00:17:08.025 --> 00:17:15.857 And I want to translate it for a moment because 00:17:16.041 --> 00:17:19.497 even if you put in very large numbers like I 00:17:19.521 --> 00:17:21.857 did here, that doesn’t really matter. 00:17:21.921 --> 00:17:26.177 You will have border at this point, which is a 00:17:26.201 --> 00:17:30.473 null or the zero point of your object because of 00:17:30.489 --> 00:17:30.617 that. 00:17:30.641 --> 00:17:32.745 You will see that like that. 00:17:32.865 --> 00:17:33.185 Yeah. 00:17:33.225 --> 00:17:35.545 And this is more or less what I wanted to 00:17:35.585 --> 00:17:36.233 create here. 00:17:36.329 --> 00:17:41.285 You can see that in the middle there was this 00:17:42.305 --> 00:17:45.405 border more or less where it’s a little bit blurry, 00:17:47.225 --> 00:17:48.601 defined by this. 00:17:48.793 --> 00:17:51.105 And what I want to do is I want to 00:17:51.145 --> 00:17:55.661 move it a little bit around and I really have 00:17:55.693 --> 00:17:57.677 to see which axis. 00:17:57.781 --> 00:18:03.213 It’s the z axis, not the x axis at this 00:18:03.269 --> 00:18:03.941 point. 00:18:04.133 --> 00:18:07.477 Go to the Z axis and let’s move that around 00:18:07.541 --> 00:18:08.585 a little bit. 00:18:09.005 --> 00:18:13.941 And this should get rid of that part there. 00:18:14.053 --> 00:18:14.905 It does. 00:18:17.245 --> 00:18:19.597 And this is looking more or less like what I 00:18:19.621 --> 00:18:20.985 wanted to create here. 00:18:21.295 --> 00:18:22.115 Okay. 00:18:23.135 --> 00:18:26.159 I think this is maybe even a little bit too 00:18:26.207 --> 00:18:26.559 dark. 00:18:26.647 --> 00:18:28.687 I will have to see about that. 00:18:28.791 --> 00:18:38.063 Let’s See what we have here? Yeah, it’s quite dark. 00:18:38.119 --> 00:18:43.279 But more important, it’s too much difference between the two 00:18:43.327 --> 00:18:44.835 colors, if you ask me. 00:18:45.975 --> 00:18:46.955 Let’s see. 00:18:49.885 --> 00:18:51.493 Yeah, for example, like that. 00:18:51.589 --> 00:18:53.213 I think that’s a little bit different. 00:18:53.309 --> 00:18:55.785 And what you can see, we have a nice little 00:18:56.885 --> 00:18:57.709 optic here. 00:18:57.757 --> 00:19:00.505 Already looking quite nicely. 00:19:01.325 --> 00:19:05.765 Okay, so let’s have a look at our material. 00:19:05.845 --> 00:19:10.229 For example, for this part in my image, I used 00:19:10.277 --> 00:19:16.491 a quite orange or yellowish color there just to give 00:19:16.523 --> 00:19:22.655 it some kind of a highlight in terms of color. 00:19:23.875 --> 00:19:25.735 And let’s do that here again. 00:19:26.995 --> 00:19:28.455 Create a new material. 00:19:29.995 --> 00:19:33.655 I call it orange or something like that. 00:19:34.355 --> 00:19:37.259 It’s really not important which name you choose there. 00:19:37.347 --> 00:19:45.317 And take in account that we are using, as I 00:19:45.341 --> 00:19:54.589 said before, a very, very overlit object or ambient there. 00:19:54.757 --> 00:19:58.065 Because of that, let’s use a little bit darker color. 00:19:59.205 --> 00:20:01.945 Put in some reflectivity, for example. 00:20:02.405 --> 00:20:03.653 You can use that. 00:20:03.749 --> 00:20:06.309 Reflectivity is a little bit rendering. 00:20:06.357 --> 00:20:07.249 Consume. 00:20:07.437 --> 00:20:09.633 Consumes some kind of rendering time. 00:20:09.769 --> 00:20:13.205 But in the end it’s not that heavy on rendering. 00:20:13.905 --> 00:20:17.897 What you can, for example, do is give it specularity. 00:20:17.961 --> 00:20:21.921 Rendering Glossy, for example, can be used if you are 00:20:22.033 --> 00:20:25.045 trying to achieve more like a glassy look. 00:20:25.585 --> 00:20:30.393 I tend to go down with this value because I 00:20:30.409 --> 00:20:32.885 just like it better that way. 00:20:33.345 --> 00:20:36.445 But you can of course use it 95% too. 00:20:38.225 --> 00:20:42.129 And there should be some kind of specular size. 00:20:42.297 --> 00:20:45.125 I like that one to be a little bit higher 00:20:45.585 --> 00:20:49.977 and maybe just a little bit lower on the intensity 00:20:50.041 --> 00:20:50.645 here. 00:20:51.585 --> 00:20:53.685 Let’s see what we get with that. 00:20:55.425 --> 00:20:59.083 We attach that to the covering and of course to 00:20:59.099 --> 00:21:00.975 the other covering too. 00:21:01.675 --> 00:21:05.735 Okay, save it and let’s have a look. 00:21:09.795 --> 00:21:12.675 Yeah, it’s coming along quite nicely. 00:21:12.835 --> 00:21:18.775 As you can see, we have a very, very high 00:21:22.955 --> 00:21:24.135 quality here. 00:21:25.435 --> 00:21:28.323 Let’s have a look again. 00:21:28.499 --> 00:21:31.795 What I think we should do is we should go 00:21:31.835 --> 00:21:35.723 to the checker material and a little bit lighter. 00:21:35.859 --> 00:21:37.695 Make it a little bit lighter. 00:21:42.235 --> 00:21:43.575 Yeah, that’s nice. 00:21:45.235 --> 00:21:48.259 Okay, let’s have a look at our rendering settings here. 00:21:48.307 --> 00:21:49.175 I think. 00:21:49.925 --> 00:21:53.985 Yeah, that’s on that one. 00:21:57.005 --> 00:21:58.465 This is needed. 00:21:59.085 --> 00:22:00.605 Plugin shader should be on. 00:22:00.645 --> 00:22:03.325 If you’re using, for example, like I’m doing here, the 00:22:03.365 --> 00:22:07.637 glossy part, I’m using always, all the time. 00:22:07.781 --> 00:22:09.741 Some kind of multipass rendering. 00:22:09.893 --> 00:22:13.653 Because it’s just creating the nicer images, if you ask 00:22:13.709 --> 00:22:14.305 me. 00:22:15.815 --> 00:22:21.035 And we have an ambience occlusion put on that. 00:22:21.415 --> 00:22:23.795 Actually, we don’t have that because I. 00:22:25.895 --> 00:22:28.595 Okay, we have some kind of ambient occlusion here. 00:22:30.335 --> 00:22:35.315 And yeah, that’s more or less looking nicely. 00:22:36.895 --> 00:22:50.193 Let’s have a look at Top here I will increase 00:22:50.289 --> 00:22:52.401 the darkness of my shadow. 00:22:52.593 --> 00:22:55.081 So maybe we can see something of that. 00:22:55.193 --> 00:22:57.737 Because at the moment I’m not really seeing some kind 00:22:57.761 --> 00:22:58.645 of shadow. 00:22:59.465 --> 00:23:00.713 It’s just too bright. 00:23:00.769 --> 00:23:06.313 At this point what I want to do is I 00:23:06.369 --> 00:23:10.003 want to go a little bit down on the intensity 00:23:10.059 --> 00:23:14.975 of my stuff here, of my light. 00:23:16.195 --> 00:23:18.855 Let’s see what this will look like. 00:23:22.915 --> 00:23:25.915 If you have a look at this point we can 00:23:25.955 --> 00:23:26.935 see something. 00:23:27.675 --> 00:23:44.901 There is ambient occlusion showing through again and yeah, looking 00:23:44.973 --> 00:23:46.585 more or less nice. 00:23:51.685 --> 00:23:55.085 So the next thing what I tend to do is 00:23:55.125 --> 00:23:59.505 I just want a little bit of bump on that. 00:24:00.265 --> 00:24:03.245 That just a little bit more interesting. 00:24:04.185 --> 00:24:07.105 We can see that there is bump at this point. 00:24:07.265 --> 00:24:13.325 This kind of stripy part here just indicates that. 00:24:13.745 --> 00:24:16.265 Let’s put that on there too. 00:24:16.385 --> 00:24:19.001 What I do for that is I just save my 00:24:19.073 --> 00:24:25.409 metal here, for example, in my material folder of my 00:24:25.497 --> 00:24:26.125 project. 00:24:28.465 --> 00:24:30.685 I realized that you didn’t see that. 00:24:31.305 --> 00:24:35.765 So let’s save that, reattach that in. 00:24:36.745 --> 00:24:38.361 So embed it again. 00:24:38.553 --> 00:24:45.041 And now we can just import material there and we 00:24:45.073 --> 00:24:46.045 copied it. 00:24:46.625 --> 00:24:51.673 That’s a way to copy stuff which is in Animation 00:24:51.729 --> 00:24:55.955 Master, which is a little bit to. 00:24:59.255 --> 00:25:01.871 Which is just a little bit harder to do for 00:25:01.943 --> 00:25:03.031 some of the objects. 00:25:03.103 --> 00:25:05.075 But this is a way you can do that. 00:25:05.415 --> 00:25:08.915 Okay, and let’s see what we have here. 00:25:09.575 --> 00:25:14.119 Yeah, we can just input for example, a bump percentage 00:25:14.167 --> 00:25:15.235 at this point. 00:25:15.535 --> 00:25:16.955 And now let’s. 00:25:19.575 --> 00:25:22.395 Yeah, let’s put that on our object. 00:25:24.215 --> 00:25:28.671 So it should be on the inner part and it 00:25:28.703 --> 00:25:30.795 should be on the outer part here. 00:25:31.215 --> 00:25:32.583 Okay, save again. 00:25:32.719 --> 00:25:33.635 Let’s see. 00:25:34.415 --> 00:25:40.755 Do we see something? Yeah, we see something. 00:25:42.415 --> 00:25:44.191 It’s a little bit hard to see. 00:25:44.343 --> 00:25:45.915 Let’s render that again. 00:25:46.535 --> 00:25:47.675 This part. 00:25:53.025 --> 00:25:56.645 Yeah, it’s really hard to see because I think that 00:25:58.385 --> 00:26:03.713 chromie image here, the metal bump in the checker material 00:26:03.769 --> 00:26:09.593 needs a different size for one of the axes. 00:26:09.769 --> 00:26:12.161 I’m not quite sure which one it is at the 00:26:12.193 --> 00:26:12.833 moment. 00:26:13.009 --> 00:26:14.045 Let’s see. 00:26:15.125 --> 00:26:18.437 I need to go to my ball bearing here again 00:26:18.501 --> 00:26:21.025 to the modeling part. 00:26:21.605 --> 00:26:25.385 Okay, let’s have a look. 00:26:25.885 --> 00:26:28.677 We have the Z axis and we have the X 00:26:28.741 --> 00:26:29.465 axis. 00:26:30.325 --> 00:26:34.341 And Y axis needs to be small. 00:26:34.453 --> 00:26:35.865 So let’s have a look. 00:26:37.285 --> 00:26:40.605 Z and X, Y axis needs to be small. 00:26:40.765 --> 00:26:45.095 If we want on the set axis, some kind of 00:26:45.215 --> 00:26:48.035 nicer image there, we could do that too. 00:26:48.815 --> 00:26:52.103 And what we want to do additional to that is 00:26:52.159 --> 00:27:01.079 I want to rotate it, for example, for 45 degrees 00:27:01.305 --> 00:27:05.593 on the set axis. 00:27:05.819 --> 00:27:08.985 45, something like that. 00:27:09.025 --> 00:27:12.481 It doesn’t really matter what you are using here and 00:27:12.553 --> 00:27:15.525 that one could be 45, two. 00:27:16.665 --> 00:27:22.165 Okay, so something like that should do for the moment. 00:27:22.705 --> 00:27:25.205 Let’s see if we can see something of that. 00:27:27.985 --> 00:27:33.873 Yeah, we have some kind of nice structure here, I 00:27:33.889 --> 00:27:34.445 think. 00:27:35.455 --> 00:27:37.355 Let’s keep it that way. 00:27:37.895 --> 00:27:42.727 Go back and let’s have a look through the camera 00:27:42.791 --> 00:27:43.835 at this point. 00:27:51.375 --> 00:27:54.543 It’s a little bit too dark still, if you ask 00:27:54.599 --> 00:27:54.839 me. 00:27:54.887 --> 00:27:57.635 So I will go to my material at this point 00:27:57.975 --> 00:28:08.569 and go with a little bit of a lighter color, 00:28:08.737 --> 00:28:09.649 something like that. 00:28:09.697 --> 00:28:12.605 Maybe you will see if that is okay. 00:28:13.705 --> 00:28:16.285 Yeah, it’s getting a little bit better. 00:28:16.905 --> 00:28:25.085 Okay, let’s have a look what we are into here. 00:28:26.435 --> 00:28:30.931 Yeah, we just need to create a better shadow for 00:28:30.963 --> 00:28:31.815 that one. 00:28:32.715 --> 00:28:37.779 So to get that, let’s see what we can do 00:28:37.827 --> 00:28:38.415 here. 00:28:39.195 --> 00:28:48.535 Our spotlight at this point, intensity. 00:28:50.275 --> 00:29:18.587 Let’s see what we can do in the end. 00:29:18.651 --> 00:29:21.283 That’s more or less like it should look. 00:29:21.459 --> 00:29:24.907 I will decrease with a little bit just to have 00:29:24.931 --> 00:29:30.735 a better view on where the shadow should be then. 00:29:31.835 --> 00:29:38.375 And let’s go to that part. 00:29:39.075 --> 00:29:40.695 Put it down here. 00:29:47.885 --> 00:29:49.985 Maybe it’s something like that. 00:30:08.315 --> 00:30:11.455 Yeah, looking a little bit nicer at the moment. 00:30:11.835 --> 00:30:19.259 Let’s put that a little bit to the right, maybe, 00:30:19.307 --> 00:30:21.775 so we can see a little bit more of that. 00:30:23.075 --> 00:30:24.491 We’re doing that. 00:30:24.683 --> 00:30:27.375 Yeah, this is looking quite nicely. 00:30:28.235 --> 00:30:30.987 Okay, so as you can see, we have a very 00:30:31.051 --> 00:30:34.299 bright object here or ground here. 00:30:34.347 --> 00:30:37.279 We have a nice object looking quite nice. 00:30:37.447 --> 00:30:40.679 And we are using ambient occlusion, a little bit of 00:30:40.727 --> 00:30:43.759 it, at least at this point. 00:30:43.927 --> 00:30:47.975 And we are, of course, using shadow, which is shown 00:30:48.015 --> 00:30:49.515 at this point, more or less. 00:30:49.815 --> 00:30:55.751 And yes, this is looking quite nicely, if you ask 00:30:55.783 --> 00:30:56.119 me. 00:30:56.207 --> 00:31:01.311 Maybe a little bit too small on the checker material 00:31:01.383 --> 00:31:01.957 there. 00:31:02.111 --> 00:31:07.041 We can, for example, go to that and scale that 00:31:07.153 --> 00:31:08.885 up a little bit. 00:31:09.345 --> 00:31:13.009 You can do that on different positions. 00:31:13.057 --> 00:31:16.593 For example, in here, you could go and put it 00:31:16.609 --> 00:31:19.845 to 200%. 00:31:20.425 --> 00:31:22.137 If you do it here or if you do it 00:31:22.161 --> 00:31:23.953 here, it doesn’t really matter. 00:31:24.129 --> 00:31:27.625 It’s just easier for me to do that at the 00:31:27.665 --> 00:31:28.325 moment. 00:31:30.015 --> 00:31:32.487 Yeah, looking quite nicely. 00:31:32.671 --> 00:31:35.599 Okay, so what we have here is an ambient occlusion 00:31:35.647 --> 00:31:44.007 rendering, which is looking, I think, quite nice, more or 00:31:44.031 --> 00:31:44.551 less. 00:31:44.703 --> 00:31:49.755 We have some kind of reflection part here. 00:31:51.535 --> 00:31:56.885 When we are rendering later, we will have more than 00:31:57.345 --> 00:31:57.729 that. 00:31:57.777 --> 00:32:03.649 Of course, there are other possibilities to increase the niceness 00:32:03.817 --> 00:32:06.025 of this scene here. 00:32:06.185 --> 00:32:07.201 Let’s see what we can do. 00:32:07.233 --> 00:32:10.329 We can, for example, create a new model which will 00:32:10.377 --> 00:32:15.005 be just a grid. 00:32:15.545 --> 00:32:16.337 You can’t see it. 00:32:16.361 --> 00:32:19.145 I will use a grid wizard here. 00:32:19.305 --> 00:32:26.833 And this grid will just be used to Something like 00:32:26.849 --> 00:32:32.233 that will just be used to as a reflector image. 00:32:32.289 --> 00:32:34.545 That means or reflector object. 00:32:34.625 --> 00:32:43.385 This object will only be visible in my reflections and 00:32:43.505 --> 00:32:54.525 I need a very bright, a bright material for that. 00:32:55.305 --> 00:33:01.537 So go to this, put in a bright material, for 00:33:01.561 --> 00:33:01.905 example. 00:33:01.945 --> 00:33:02.885 It doesn’t matter. 00:33:04.305 --> 00:33:07.433 The most important thing is that I will set the 00:33:07.449 --> 00:33:11.457 amend intensity for example to a high level 100. 00:33:11.521 --> 00:33:16.809 In for example the diffuse falloff I will set to 00:33:16.857 --> 00:33:18.725 null or zero. 00:33:19.065 --> 00:33:22.641 And the ambience color I will set to white for 00:33:22.673 --> 00:33:24.805 example, as this should do. 00:33:25.305 --> 00:33:29.361 And I will put that one on my new object 00:33:29.433 --> 00:33:37.845 here and use Z on that. 00:33:38.474 --> 00:33:44.174 Okay, go back to my scene here. 00:33:45.795 --> 00:33:47.535 Put it in. 00:33:50.155 --> 00:33:53.539 The important thing about that is that we don’t want 00:33:53.587 --> 00:33:56.403 to see that directly in our scene, but only in 00:33:56.419 --> 00:33:58.815 the reflection of for example the object. 00:34:25.565 --> 00:34:28.225 Let’s see if we see something of that there. 00:34:30.095 --> 00:34:34.959 I don’t know, maybe I have to increase the fall 00:34:35.007 --> 00:34:35.955 off again. 00:34:36.415 --> 00:34:40.447 I’m using here that one. 00:34:40.631 --> 00:34:45.875 Let’s say we go to 1500 for instance. 00:34:46.975 --> 00:34:49.831 And if you have a look at this, we have 00:34:49.863 --> 00:34:52.239 some kind of reflection now at this point. 00:34:52.287 --> 00:34:55.255 So this is a little small highlight we can see 00:34:55.295 --> 00:34:55.920 here. 00:34:56.102 --> 00:34:59.564 And this will increase the rendering quality and the objects 00:34:59.604 --> 00:35:01.504 of this a little bit more. 00:35:03.564 --> 00:35:06.084 As you can see, I’m just playing around a little 00:35:06.124 --> 00:35:06.420 bit. 00:35:06.492 --> 00:35:07.628 You have to do that too. 00:35:07.676 --> 00:35:10.404 You have to know a little bit of the tools 00:35:10.444 --> 00:35:14.104 you have here which should help you. 00:35:15.404 --> 00:35:20.716 For example, that one that you can, I don’t know 00:35:20.780 --> 00:35:26.887 can I increase the darkness? Know just that you for 00:35:26.911 --> 00:35:29.223 example can overpower your image. 00:35:29.279 --> 00:35:33.503 So use a higher level image color here to create 00:35:33.599 --> 00:35:37.495 such a nice little ground, for example. 00:35:37.615 --> 00:35:41.567 But this is quite nicely looking like what I wanted 00:35:41.591 --> 00:35:42.755 to achieve here. 00:35:43.655 --> 00:35:49.385 More or less like a very metallic part. 00:35:49.465 --> 00:35:52.045 And that’s more or less what I wanted here. 00:35:53.065 --> 00:35:55.217 And of course you can see we have nice little 00:35:55.281 --> 00:35:56.753 chrome balls in there. 00:35:56.889 --> 00:35:59.725 And this part is looking quite nicely too. 00:36:00.025 --> 00:36:02.537 And yeah, that is more or less what I wanted 00:36:02.561 --> 00:36:03.513 to show you. 00:36:03.689 --> 00:36:08.321 Let’s see, we can of course use now a faster 00:36:08.393 --> 00:36:09.369 ambient occlusion. 00:36:09.457 --> 00:36:13.297 Don’t use this ambient occlusion now go to this one. 00:36:13.361 --> 00:36:20.607 Activate that standard is I think 265, 56 samples here. 00:36:20.796 --> 00:36:26.371 You can go with 128 or something like that. 00:36:26.483 --> 00:36:27.947 It really doesn’t matter. 00:36:28.011 --> 00:36:29.455 Use it as you want. 00:36:29.875 --> 00:36:31.615 Plugins is okay. 00:36:33.315 --> 00:36:36.147 Yeah, let’s see what is going on here. 00:36:36.171 --> 00:36:38.579 And if that is what we want to create here. 00:36:38.747 --> 00:36:42.213 But this should render more or less fast. 00:36:42.309 --> 00:36:46.781 So it should not take too long for us to 00:36:46.813 --> 00:36:52.853 render that let’s see what is going on there and 00:36:52.909 --> 00:36:57.925 how it will look with this screen space. 00:36:58.045 --> 00:36:59.625 Ambient occlusion part. 00:37:00.005 --> 00:37:02.461 As you can see, we have a very bright image. 00:37:02.613 --> 00:37:08.081 This is normal because we don’t have any ambient occlusion 00:37:08.233 --> 00:37:09.145 added to that. 00:37:09.225 --> 00:37:12.897 Right now we have to wait for the last path 00:37:13.081 --> 00:37:14.153 to create that. 00:37:14.249 --> 00:37:17.433 But you can see we have quite fast rendering times 00:37:17.489 --> 00:37:19.441 and that is more or less what we are after 00:37:19.513 --> 00:37:20.125 here. 00:37:22.865 --> 00:37:24.605 30 seconds at the moment. 00:37:27.025 --> 00:37:30.169 As you can see, I’m using CPU SSR at the 00:37:30.217 --> 00:37:30.849 moment. 00:37:31.017 --> 00:37:34.893 This is not because I want to do that, but 00:37:34.949 --> 00:37:41.365 because my graphic card doesn’t compute that for some reason. 00:37:41.525 --> 00:37:43.965 For example, if I do this on my laptop, it 00:37:44.005 --> 00:37:49.745 will use the GPI or GPU to render that. 00:37:51.205 --> 00:37:53.781 On my desktop it doesn’t do that. 00:37:53.933 --> 00:37:59.025 That’s very, very, very, very much slower. 00:37:59.345 --> 00:38:03.601 So quite a lot slower than rendering with the GPU 00:38:03.673 --> 00:38:04.725 at this point. 00:38:05.025 --> 00:38:07.201 But it’s rendering fine too. 00:38:07.233 --> 00:38:10.793 And it’s still faster than using, for example, the real 00:38:10.849 --> 00:38:12.885 ambient occlusion in general. 00:38:15.425 --> 00:38:19.273 And I doubt that this will look very nicely at 00:38:19.289 --> 00:38:23.849 the moment because we just have to play around a 00:38:23.857 --> 00:38:24.605 little bit. 00:38:25.375 --> 00:38:27.995 It’s not even looking bad at the moment. 00:38:30.135 --> 00:38:32.999 Yeah, why not? It’s not looking bad. 00:38:33.127 --> 00:38:35.775 Okay, so as you can see, we have a nice 00:38:35.815 --> 00:38:36.735 little object here. 00:38:36.775 --> 00:38:41.007 It’s looking quite nicely, quite real in a really bright 00:38:41.111 --> 00:38:45.031 environment which is overpowered, which is more or less what 00:38:45.063 --> 00:38:48.183 is making it nice here. 00:38:48.359 --> 00:38:53.249 And yeah, I hope science. 00:38:53.297 --> 00:38:55.521 This is more or less a demonstration of what can 00:38:55.553 --> 00:38:56.325 be done. 00:38:56.905 --> 00:39:00.673 Not exactly if it needs to be done like that. 00:39:00.849 --> 00:39:06.057 I hope you have just learned a little bit about 00:39:06.121 --> 00:39:07.801 what we wanted to do here. 00:39:07.913 --> 00:39:11.041 You can play around with the settings again and do 00:39:11.073 --> 00:39:14.465 better stuff like, I don’t know, other stuff. 00:39:14.625 --> 00:39:16.885 But as you can see, we have a quite nice, 00:39:17.245 --> 00:39:22.869 more or less product typey image here which is looking 00:39:22.997 --> 00:39:25.425 more or less nicely, as you can see. 00:39:25.725 --> 00:39:31.933 And this is something I have learned which the client 00:39:32.029 --> 00:39:33.185 often likes. 00:39:33.525 --> 00:39:38.565 Some kind of a cool environment, a cool object, cool 00:39:38.685 --> 00:39:39.745 looking object. 00:39:40.205 --> 00:39:45.693 As you can see, I would decrease, for example, the 00:39:45.869 --> 00:39:49.101 stripes at this point, again, just because they are too 00:39:49.133 --> 00:39:50.365 visible for me. 00:39:50.525 --> 00:39:55.021 So decrease it in the height, for example, and maybe 00:39:55.093 --> 00:39:57.925 even in the object itself. 00:39:58.045 --> 00:40:02.105 You could for example, go to displacement renderings here. 00:40:02.725 --> 00:40:04.413 Looking quite nicely too. 00:40:04.589 --> 00:40:10.013 I have had mixed results with displacement on material. 00:40:10.109 --> 00:40:13.333 So if you want to use displacement, I would recommend 00:40:13.389 --> 00:40:15.265 to use the call. 00:40:17.685 --> 00:40:23.397 Let’s see if we can use that here and how 00:40:23.421 --> 00:40:24.865 it will look. 00:40:26.565 --> 00:40:28.565 Maybe we don’t even notice that. 00:40:28.605 --> 00:40:29.505 I don’t know. 00:40:31.445 --> 00:40:35.157 Yeah, it’s very, very hard to see at the moment. 00:40:35.221 --> 00:40:38.815 Let’s increase that just a little bit so we can 00:40:38.855 --> 00:40:40.075 see more of that. 00:40:42.655 --> 00:40:45.439 Yeah, as you can see we have a nicer structure 00:40:45.487 --> 00:40:45.911 now. 00:40:46.023 --> 00:40:47.727 This could be used. 00:40:47.871 --> 00:40:54.231 Maybe it is looking a little bit more real. 00:40:54.303 --> 00:40:55.195 I don’t know. 00:40:55.695 --> 00:40:59.167 Just play around a little bit and you will create 00:40:59.311 --> 00:41:01.315 nice looking objects like that. 00:41:02.545 --> 00:41:03.673 Yeah, it’s not bad. 00:41:03.769 --> 00:41:05.529 I will keep it that way. 00:41:05.657 --> 00:41:08.961 As you can see, we have this kind of optical 00:41:09.033 --> 00:41:13.489 interference here now which I had in my original rendering 00:41:13.577 --> 00:41:14.089 here too. 00:41:14.137 --> 00:41:18.585 So I’m using displacement map, displacement material at this point 00:41:18.625 --> 00:41:19.205 too. 00:41:19.745 --> 00:41:22.913 And yeah, it’s looking quite nice. 00:41:23.049 --> 00:41:25.765 Let’s render that again just for the sake of it. 00:41:29.305 --> 00:41:30.561 And what it is all about. 00:41:30.633 --> 00:41:34.161 It’s all about playing around, trying to get the perfect 00:41:34.233 --> 00:41:36.769 setting for your rendering scene. 00:41:36.817 --> 00:41:39.641 And for your propose you want to create here. 00:41:39.793 --> 00:41:44.729 Just get whatever looks quite nice to you and do 00:41:44.737 --> 00:41:45.601 it again and again. 00:41:45.673 --> 00:41:50.009 And after a while you will just get a feeling 00:41:50.057 --> 00:41:53.641 on how to create this kind of object or this 00:41:53.673 --> 00:41:56.077 kind of look you want to achieve. 00:41:56.241 --> 00:41:59.933 And it will look better and better with each iteration 00:41:59.989 --> 00:42:00.785 you do. 00:42:05.565 --> 00:42:10.105 Yeah, let’s wait for that to finish again. 00:42:10.565 --> 00:42:13.325 And if we are finished with that, I think we 00:42:13.365 --> 00:42:17.013 should just leave it like that. 00:42:17.069 --> 00:42:20.181 And I hope you learned something about the rendering with 00:42:20.213 --> 00:42:25.021 Animation Master with screen capture or screen space ambient occlusion, 00:42:25.053 --> 00:42:25.985 for example. 00:42:27.045 --> 00:42:30.757 This is a very specific case I’m showing you here. 00:42:30.821 --> 00:42:33.469 So if you for example, want to do an animation 00:42:33.517 --> 00:42:35.813 or something like that, you can do it that way 00:42:35.869 --> 00:42:40.773 and it may look quite nice, but you just have 00:42:40.789 --> 00:42:44.117 to play around and see what you want to achieve. 00:42:44.181 --> 00:42:46.533 And it’s time consuming. 00:42:46.669 --> 00:42:48.901 That’s just what you have to accept. 00:42:48.973 --> 00:42:52.345 It’s just time consuming to get the lighting right. 00:42:52.705 --> 00:42:56.841 And it will be time consuming. 00:42:56.913 --> 00:42:57.905 Any software program. 00:42:57.985 --> 00:43:02.761 There are one or two better to say. 00:43:02.793 --> 00:43:06.645 There are a few which use for example, physical correct 00:43:07.225 --> 00:43:08.929 materials and stuff like that. 00:43:09.057 --> 00:43:14.897 They are nice because they often include nice settings of 00:43:15.081 --> 00:43:16.481 rendering materials. 00:43:16.633 --> 00:43:20.017 But that doesn’t mean that you can’t create very nice 00:43:20.081 --> 00:43:23.819 looking images like that one, for example, in Animation Master 00:43:23.867 --> 00:43:24.455 2. 00:43:24.795 --> 00:43:28.015 Even so, it’s not really. 00:43:30.235 --> 00:43:35.491 Yeah, you know, a physical correct rendering service Animation Master 00:43:35.523 --> 00:43:38.615 can provide here, but it’s still looking nicely. 00:43:38.955 --> 00:43:39.827 Yeah. 00:43:40.011 --> 00:43:43.027 So I hope you learned something and if you have 00:43:43.051 --> 00:43:46.147 any questions, let me know about it and see you 00:43:46.171 --> 00:43:46.235 soon.